Audulus waveform meters how to#
We think Pro X is a great update to what was already a great DAW and hope that by following the tutorials in this issue you’ll explore some of the more hidden depths of the software and, ultimately, get to know how to use the software to make your music-making more enjoyable and fruitful. (I’ve even given many of them a go myself, so can confirm that Drummer goes a lot deeper than you might realise but is still incredibly easy to use – see p32 for more!) Elsewhere we’ve got features on getting the best setup to become a power user (p7), make mobile music (p90), and we even explore some of the next generation of third-party effects that you might want to try in Pro X (see p79). Our Logic experts Mark Cousins and Alex Holmes have both been busy producing tutorials and workshops so there’s everything from an introductory workshop to Pro X’s new features on p16, to setting up the perfect project (p20), right through to producing dance effects in the software (p74).
Audulus waveform meters plus#
We’ve decided, therefore, to produce this special MusicTech Focus just for Logic Pro X and have designed it to help you make the most of many of these additions plus some of its more general features. The software is attracting a lot more attention thanks to great new additional features like Drummer, Flex Pitch and the Retro Synth, and at just £140 still represents incredible value for money. Since its release last August, Apple’s Logic Pro X has already made a huge impact within the music-creating world. Audition codecs in real-time, batch encode multiple files and add metadata such as track name and artwork. Quality Encoding For All Codec Toolbox is an affordable yet invaluable solution for encoding your music for the web. UNLEASH THE 2014 POWER OF 132 LOGIC PRO X LOGIC PAGES OF PRO X TIPS & TRICKSġ1 detailed step-by-step workshops 3+ hours of tutorial videos, 1.4GB of samples The best gear for your studio reviewed Flex Time, Drummer & Retro Synth in-depth Guides to making money and mobile musicĬompiled by the Logic Pro Xperts from MusicTech THE IN-DEPTH GUIDE FOR THE CREATIVE MUSICIAN That said, there is an ever-growing collection of well-modeled filters and such available on the forum.LOGIC PRO X 2014 THE IN-DEPTH GUIDE FOR THE CREATIVE MUSICIAN It's easier to get into unrelenting digital weirdness than you would with the Moog Model 15 type of an app, I could see how you might have issues with the results. In Audulus that responsibility falls on you. A lot of eurorack modules are calibrated like instruments, with the designers balancing each knob to ensure the largest sweet spot. I think Audulus is a very unrestricted environment. You have to be mindful of aliasing and filtering out some of the upper harmonic content, but I think you get really nice results isf you use your ears as well as your DSP cookbook. I have used it in all manner of ways like making LFOs, exploring phase modulation, making those saw-triangle-ramp oscillators like the Rossum-Electro Trident. This is actually my favorite oscillator node, because you can start to roll your own oscillators to taste. The "Phasor" is a 0-2π ramp wave that's there for people who want mathematical precision at the expense of aliasing. The nature of sound is obviously subjective, but I think they sound fine for when I want a bunch of oscillators. It has a toggle between the 4 basic wave forms and shape input that is pulse width for the pulse waveform and a supersaw type of modulation for the saw wave. In my estimation it sounds the same as a really clean analog oscillator like a Dixie II +. There are two oscillator nodes in Audulus, the "OSC" and the "Phasor" audio quality seems to come up a bit in Audulus discussions. in which case are they any different than Max? Is this mainly because the oscillators are just straightforward digital implementations.
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